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Joy of sex education watch

Joy of sex education watch

BFI There can't be many new DVD releases of short film anthologies which are unstintingly riveting all the way through. They have a weird similarity to old-fashioned stag films, not merely because of explicit content, but because they are designed to be watched in a semi-clandestine world: Here, as in other films, it is the woman who is stigmatised as the bearer of syphilis — perhaps as a way of scaring men into using condoms, although there is no explicit information about these. But weirdly, I think, the sexiess has always to be semi-veiled to be commercially alluring, and media and culture are actually as prim as a Victorian governess about the nasty plumbing and circuitry of sex. Katy McGahan's excellent programme note on this film in the DVD's accompanying booklet doesn't mention it, but the caddish male in the film is played by Richard Morant: But then something strange happens. Hee, hee, hee, you giggle, while another film shows stock footage of Cliff Richard-style youth clubs and coffee bars in an agonisingly earnest attempt to get its message across to young people. Some of these films are genuinely horrifying. Which will be sooner than I think. Ho, ho, ho, you think, as a fraightfully refained female announcer talks about "gels' bodies changing", while we see healthy gels playing hockey. Remarkably, it even shows film of real people — a man and then a young woman — masturbating. John Pleshette's scrawny teenage boy, who is actually really good at basketball, reminds me of Woody Allen's repeated protestations that despite his wimpy-looking frame, he was a real sportsman in his youth. Jez Stewart's programme note suggests that the movie's gritty look makes it look like Cassavetes — yes, and it also has a little something of Woody Allen.

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Sex Education…With Pleasure



Joy of sex education watch

BFI There can't be many new DVD releases of short film anthologies which are unstintingly riveting all the way through. They have a weird similarity to old-fashioned stag films, not merely because of explicit content, but because they are designed to be watched in a semi-clandestine world: Here, as in other films, it is the woman who is stigmatised as the bearer of syphilis — perhaps as a way of scaring men into using condoms, although there is no explicit information about these. But weirdly, I think, the sexiess has always to be semi-veiled to be commercially alluring, and media and culture are actually as prim as a Victorian governess about the nasty plumbing and circuitry of sex. Katy McGahan's excellent programme note on this film in the DVD's accompanying booklet doesn't mention it, but the caddish male in the film is played by Richard Morant: But then something strange happens. Hee, hee, hee, you giggle, while another film shows stock footage of Cliff Richard-style youth clubs and coffee bars in an agonisingly earnest attempt to get its message across to young people. Some of these films are genuinely horrifying. Which will be sooner than I think. Ho, ho, ho, you think, as a fraightfully refained female announcer talks about "gels' bodies changing", while we see healthy gels playing hockey. Remarkably, it even shows film of real people — a man and then a young woman — masturbating. John Pleshette's scrawny teenage boy, who is actually really good at basketball, reminds me of Woody Allen's repeated protestations that despite his wimpy-looking frame, he was a real sportsman in his youth. Jez Stewart's programme note suggests that the movie's gritty look makes it look like Cassavetes — yes, and it also has a little something of Woody Allen. Joy of sex education watch

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5 Comments

  1. As with many of these films, you start watching with a knowing, ironic chuckle. Katy McGahan's excellent programme note on this film in the DVD's accompanying booklet doesn't mention it, but the caddish male in the film is played by Richard Morant:

  2. The New York-set movie Her Name Was Ellie; His Name Was Kyle is a film about syphilis, starring John Pleshette as Bruce, a troubled teen who can't bring himself to confess to his parents or his steady girlfriend that he has caught syphilis from casual sex with a waitress called Ellie who was infected by a swinging sexual predator called Kyle, whose scabby hands are glimpsed in the film's final frames. But the film boldly shows film of real people — not coy line drawings — in a concerted attempt to show the realities of where gasp!

  3. Here, as in other films, it is the woman who is stigmatised as the bearer of syphilis — perhaps as a way of scaring men into using condoms, although there is no explicit information about these. Ho, ho, ho, you think, as a fraightfully refained female announcer talks about "gels' bodies changing", while we see healthy gels playing hockey. Some of these films are genuinely horrifying.

  4. For the past couple of days, I have been glued to the BFI's incredible collection The Joy of Sex Education , which is a compendium of sex education films from to The young wife Joan Tilsa Page comes back from the doctor's with what everyone hopes is wonderful news of a pregnancy — instead she has to tell her husband Ken Desmond Carrington that she has syphilis, caught while Ken was overseas during the war, from a male acquaintance of a woman friend who was no better than she ought to be, and came to an unspecified "bad end".

  5. The laughter dies away and you find yourself watching, rapt at the sheer novelty of what is happening:

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